March 2026 (part one)

It's me, I'm back and I'm here to tell you about nine cool songs. This time around they've all been released in the last few months, which isn't always the case but is sometimes. They're the first nine songs on the Horse Combinations March 2026 playlist, a work in progress until it's not March anymore, then it's done and it's time to get to work on April's. You get the idea, right? Here are some blurbs:

Okonski - “Easy”
The two Okonski LPs have been a go-to soundtrack for having people over for the last few years; it’s the right kind of vibey, smoky, late night jazz with enough texture and character to prevent it from fading fully into the background. The new one-off single “Easy” is a great addition to their catalog, sounding like a lost track from Galt MacDermot’s Shapes of Rhythm or something.

Pearly Drops - “Heaven”
I haven’t dug much into their other stuff but this new song from Finnish synth pop duo Pearly Drops is really good! [Guy who listens to too much TOPS voice] sort of getting a TOPS vibe.

February 2026 (part two)

It's time to dig into eight more songs, new and old, that I liked listening to last month and added to the official Horse Combinations February 2026 playlist. Check out part one if you haven't done so already, otherwise let's get blurbing:

Touch Girl Apple Blossom - “The Springtime Reminds Me Of…”
I was already on board with this band based on name alone, before I'd heard a note of their music. I’ve been spinning their solid EP from 2023 pretty regularly for the last month or two, after seeing their name pop up on some concert poster on Instagram or something. I was stoked to see this single drop recently, along with news of their debut LP coming soon on K Records. I’ve written frequently on here about the exciting wave of twee influenced gen z indie rockers, and with “The Springtime Reminds Me Of…”, Touch Girl Apple Blossom has cemented a spot on the official Horse Combinations pantheon of cool new bands.

Royal Trux - “Turn of the Century”
Despite having spent the last twenty years or whatever listening to basically anything Drag City records puts out, I’ve never gone very deep on Royal Trux. Their legacy and influence is undeniable but I never took the time to familiarize myself with their work. In an attempt to see what the fuss was about, I was listening to their acclaimed record Cats and Dogs and was mostly into what I was hearing, especially “Turn of the Century,” the album’s ragged 7 minute long centerpiece that appears to have perfected Jack White’s whole deal five years before the first White Stripes single. Is that a hack observation? Have we all had this discussion?

February 2026 (part one)

Every month I'm making a new playlist and adding a variety of cool new songs and cool old songs I listened to and then once every week or two I log onto my website and write 2-4 sentences about those songs. That's the Horse Combinations promise, baby! Here's what we've come up with so far for the February 2026 playlist, streaming exclusively on Tidal!

Barry Walker Jr. - “Peridot, Call Me”
Portland-based paleontologist Barry Walker Jr. moonlights as a pedal steel player with groups like Rose City Band, North Americans, and Mouth Painter. He’s also released a handful of really solid recordings under his own name, most recently January’s excellent Paleo Sol, a collection of earthy instrumental tracks that manage to stand out from the increasingly crowded ambient Americana scene.

Gia Margaret - “Everyone Around Me Dancing”
Gia Margaret’s Romantic Piano is one of my favorite albums of the decade. It’s a record I played endlessly after it's summer 2023 release and is something I revisit frequently when in need of a half hour or so of peace. Album opener “Hinoki Wood” has taken on a life of its own over the last few years as a sound on TikTok, used mostly as an easy aesthetic shorthand for all things carefully curated and self-consciously cozy. Being a middle aged indie rock fan, I’m used to latecomers embracing music I love in new, weird contexts, it’s fine, but when I’m scrolling Instagram reels and hear the first five seconds of a song that introduces a record that to me represents sort of the sort of peace and stillness that is in direct opposition to looking at my phone, it still feels a little uncanny. It’s the same irked feeling I get when I hear "This Must Be the Place (Naive Melody)" or “Maps” in Walgreens, like this is too meaningful of art for me to be hearing while I’m just in here for a minute trying to buy chips. Anyways there’s a new Gia Margaret album coming and this is the first single from it and I think it’s really good.

January 2026 (part two)

We're back and blogger than ever! Let's take a look at some blurbs about ten more songs I listened to last month and liked and think you might like too.

Julianna Barwick & Mary Lattimore - “Stardust”
A standout from the overall extremely nice new collaborative record from Julianna Barwick and Mary Lattimore, two of the best ambient/new age/experimental etc. artists going.

Talking Heads - “Love Goes to a Building on Fire (CBS/Columbia Demo)”
I’ve always loved "Love → Building on Fire,” an early single that is often tacked on to the end of the first Talking Heads record. All this time I didn’t really know how to pronounce the arrow in the song title but I never would have guessed “goes to a” would have been it, Anyways this demo version is the first song released from a forthcoming triple CD boxset featuring a bunch of Talking Heads rarities that I’m gonna devour when it comes out next month.

January 2026 (part one)

Damn it's cold here in Chicago! Only thing cooler than the wind chill are these tunes!! Here are some thoughts on the first ten songs added to the Horse Combinations January 2026 playlist!!!

Yusef Lateef - “Semiocto”
It’s 9am in early January, the holidays are over and I’m walking the 10 minutes from the train station to my office making my brain feel crazy listening to Yusef Lateef’s Psychicemotus.

Jana Horn - “Go on, move your body”
I’m all in on the new Jana Horn record. I’ve been listening to this song repeatedly since it was first released back in November, hoping the rest of the album would live up to the expectations set by this spare, subtly noisy gem. Now that the full thing is here, I’m pleased to announce that it does and I will be listening to it a lot over the next few months (at least).